![]() Star Trek: Voyager also featured a Klingon character, B'Elanna Torres, who provided a new perspective on the species through her Klingon-Human hybrid parentage. Ultimately, the TOS movies laid the groundwork for the development of the "classic" Klingons later on. The films also saw the creation of the Klingon language and the beginnings of establishing a more traditional Klingon culture. The facial hair and complexion from The Original Series were kept, but other changes were made as well, mostly to the uniform style and bizarrely the feet, which now sported a spike if the Klingon boots depicted in Star Trek 6 were any indication. A bigger budget and vastly improved makeup techniques allowed for the creative team to make the Klingons look more alien, providing them at last with the iconic ridged foreheads. Perhaps the most important thing that the TOS films did however was to give the Klingons a complete redesign. This peace would set up the Klingons' return as Federation allies in later series. The TOS film series further explored the Klingon culture and especially their relationship with Starfleet, culminating in The Undiscovered Country in which peace was finally brokered between the Federation and the Klingon Empire. While only Star Trek VI: The Undiscovered Country had a plot that revolved almost entirely around the Klingons, Star Trek III: The Search for Spock featured them as a major player, and they made a brief cameo appearance at the beginning of Star Trek: The Motion Picture. Klingons featured in 3 out of the 6 Original Series movies. Klingons would go on to appear several other times throughout The Original Series, most notably in the classic episode "The Trouble with Tribbles." The biggest difference was their lack of forehead ridges, but they were also duplicitous, ruthless, and much more Fascistic, with no trace of the honor-obsessed warrior culture that would come later. This did result in some questionable makeup choices for the Klingons, with their appearance reflecting an orientalist attitude and their makeup verging on what audiences today would likely call "brownface."Īdditionally, because of their inspiration, TOS's Klingons were nothing like the Klingons fans would come to know and love in subsequent shows. In keeping with TOS's style of contemporary social commentary, the Klingon conflict with the Federation was supposed to represent the United States and Soviet conflict during the Cold War. Coon was responsible for the creation of the Klingons and based them and their culture off of both Soviet Russia and Communist China.
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